Hulk Smash (Ch. 14)

Our hiatus lasted one week longer than I thought it would, but believe me, I would rather not have been doing this. I kid of course, it was a matter of necessity. My choice was either work on this or work on whether or not we ought to consider certain genetic diseases as vertical epidemics (we should). While this is much easier, that is more important.

We left off with a cliff hanger of sorts. Bella and Jacob made up, grinding what little tension there was in this book completely out, and are now going to meet up with the rest of the La Push gang. Jacob is now telepathic when he changes into a wolf, but only with other wolves. This is important because making every other character in the story telepathic allows us to solve inconvenient problems like plot development, or obstacles. Why worry when you can just solve every problem with magic? It's also important to remember that werewolves are like the Hulk, if they get angry you wouldn't like them too much.

The last point is rather silly, but in a story with psychic, prophetic vampires who am I to judge? Well, I'm me, and I'm judging. It's stupid and probably racist. Let's tackle that point right now. I can hardly be called a PC thug and despite my academic pursuits I'm not all that liberal. Don't get me wrong it's not that I don't land on the left side of things usually, but I would rather have a smaller government than a larger one and don't believe that gun control is a good idea. These are two big no nos on the left. All of that being written, I don't go looking for ways to accuse white people/white Christians for being racist. Bella (the reader by proxy) is supposed to prefer vampires to werewolves. Where the vampires are pale, stoic, reserved, and rich the werewolves are portrayed as being dark skinned, emotional, poor, and if their irrational nature gets the better of them they turn into monsters. If there were other werewolves who weren't Quileutes it wouldn't be a thing, but there aren't so it is.

Jacob and Bella meet the gang, who are not exactly happy that she has been brought into the secret. The gang isn't happy with Jacob, and one in particular "Jared or Paul" is really upset. What bothers me is that we don't know who it is, we, characteristically aren't given any description of the person. We just know who it could have been. And then we find out that it was Paul because Sam yells at him. I don't get why there is the confusion at first. I get that this a first person narrative and she didn't know at the time, but she isn't writing this as it happens. Possibly the night afterward, but just keep the character straight. Especially someone who is a side person that I doubt we will see again.

Either way, Jacob gets so angry that the gamma radiation stored in his blood transforms him. He leaps at Bella, "Halfway to the ground, there was a loud ripping noise, and the boy exploded. -Dark silver fur blew out from the boy, coalescing (? that's not the right word) into a shape more than five times his size--a massive, crouched shape ready to spring."

Why not just call the shape a "wolf?" That's trite, but seriously this is the first time we are seeing the transformation. I do like the sudden violence of it, rather than the tortured way it's depicted in movies like the Underworld series. What's important for us to note is that he "exploded."

Jacob in order to protect Bella explodes as well. The fight is briefly described and then Bella is shied away to go to Emily's. We don't know who Emily is, and it's not really explained. The remaining members of the gang describe Paul as being a loose cannon who loses his temper frequently, all that's missing is an older werewolf that's getting too old for this shit, so we can complete a cliche list. It's nice that they remember to bring clothes for them after they finish fighting. Which brings me to a complaint, Jacob already transformed earlier to telepathically communicate to the gang the information that Victoria was after Bella. Does this mean that Jacob was naked this whole time?

One of them seems surprised that Jacob brought his girlfriend into this, but why is he surprised? Just last chapter Jacob had done the telepathic communicating. All of these inconsistencies take place within five pages, it's a new record for our author.

Emily has cooked food for the men. At least Meyer's consistent on that, women do all of the cooking. The other thing women do in these stories is get abused by their men, "The right side of her face was scarred from hairline to chin by three thick, red lines, livid in color though they were long healed."

The happy family reunited they begin to talk shop. Jacob explains what Victoria wants, why she's been trying to get through the woods--revenge for James last year. Apparently there's some sort of turf treaty. The wolves can't attack vampires on Cullen territory unless they bite a human. Any vampire found on reservation territory is fair game. Victoria, and I suppose Laurent as well, have been stalking through the woods trying to get to Forks. This leads me to some geography question, does the reservation surround Forks? Not from what we know from the last book. They just have been stumbling into it perhaps. Or they are taking the Cullens' route thinking they were safe but then decided to kill the random people for fun. Perhaps they are unaware of the treaty which could make sense. No matter what, the bad vampires are pretty shitty at their job since they could just walk into Forks at night to seek Bella out and kill her.

Jared claims that they now have bait for the vampire. This is the most sensible thing that has happened thus far. It also leads to a plan that, unlike the Cullens' from last book actually seems reasonable. They are going to leave some holes in their patrol to try and draw Victoria in. Once in they will close the gap. It's very similar to the plan laid out in "The Seven Samurai," every fortress needs a good weakness said Kambei. The only trouble is that they have to divide up. Still it's a plan that makes sense, especially if Victoria doesn't realize how many of them there are. In a few days, it seems Embry will be a wolf too, so that will give them six.

Then Charlie shows up and the chapter ends with a trite conversation about Jacob's hair and how they made up. I still like the werewolves better than the vampires. Sam, actually lets Bella make a decision, which is more than the Cullens could accomplish. Despite the initial fighting over her, they do seem concerned with her well being. It seems that the wolves' violence toward women is only physical which could be better than the pyschological abuse that Edward inflicts on Bella. After last chapter I was ready to give up on this whole thing but now I'm a bit more conflicted as we have actually entered into what could be considered a plot.

Breaking Time

It's that time of year again, the time where a man's fancy turns to the carelessly lain burdens that he has placed upon himself and demands respite from weekly tasks. In other words, it's the end of the semester and I really have to work on papers. One for aesthetics, one for Levinas Seminar, and one for Metaphysics of Bio Ethics; and all of them due by the end (or mid) of next week at the latest. We'll resume next week when I need a break from writing the above three to learn about what passes for being an original gangsta in La Push.

The Wrong Kind of Monster (Pg. 300-322)

I know I've brought him up before, but of the most important philosophers in history one of them must be William of Okham. If only because you can ask a person "what's Okham's razor" and if they are even moderately read they will know what you are talking about. If they are well read they might even know that the "Okham" is a person. Either way they will know that the maxim of Okham's razor is that one should never make things more complicated than necessary. I'm not going to rag on Meyer for adding werewolves to her little world. Okham, was speaking about reality, and writing fiction doesn't apply--if only the author doesn't mess it up--no this is directed at Bella. Bella has no reason to think that Jacob is anything other than a human being.

Nothing, aside from a growth spurt, has been unusual about him. The stories about the werewolves from the mythology of his tribe he downplayed as being just mythology, something that the elders passed down. Somehow she divines werewolves from his hints, just as miraculously as she divined vampires even though she had no proof to go on.

We're now at the beach after a meaningless conversation at Jacob's house with his father. Jacob, in what always amounts to a high point for his character, is yelling at Bella for being a hypocrite. She's worried about Jacob because he's a werewolf and that bothers him, "Well, I'm so sorry that I can't be the right kind of monster for you, Bella. I guess I'm just not as great as a bloodsucker, am I?"

The mysterious voice of Edward returns to offer yet some more advice that it can't know to give.

The whole conversation is based on a misunderstanding. Bella thinks, rightfully, that Jacob and his pack (sigh) are killing the hikers. Jacob thinks Bella is upset because he turns into a wolf. It only gets settled because Jacob laughs it off and then explains that they don't kill people. That's right he laughs without explaining. It's one of the many problems in the book(s), we're set up with a genuine tense scene and then nothing becomes of it. Why not let her be mad for a couple of days forcing him or her to figure out what is really going on. Mystery would be a nice touch in a novel populated with mysterious beings. That would probably be a better book though.

The mystery with Laurent also gets settled as well, but that long ago left us because even a half assed reader could figure out what was going on with that one. It's curious that Bella gets upset because she thinks Jacob and his crew are murdering people but she was genuinely relieved when she saw Laurent who she knew murdered people, and also never really cared that Edward wanted to. Jacob explains a little more of his nature, "If I get too mad...too upset...you might get hurt."

Werewolves=The Incredible Hulk. I mean seriously, this is getting quite ridiculous. The parallels are there. Jacob is a normally decent person who refrains from getting angry, who visibly shakes when upset, but also turns into a larger than life being if it takes over? Please.

The murders are continuing, that we know. We also know why, without the explanation. That it's Victoria. Again, Meyer fired the gun too soon, this story could have been a genuinely interesting mystery about what was responsible for all the killings, but it's all been spoiled. The wolves have been hunting Victoria who has been hunting Bella. She tells Jacob this and then Jacob runs off for a second leaving a half conscious Bella alone on the beach. Alone, after finding out that a vampire has been desperately searching for her to fulfill some sort of revenge oath. Why did he run away? To communicate with the other wolves, not by howling, but by...ugh let's just have him tell it, "but we can hear thoughts...thoughts--each other's anyway--no matter how far from each other we are."

Another creature with telepathy. Is there anything that anything can't do in this story?

This is why I brought up Okham earlier. It's not that the story is getting too complex, it's just by piling on all these abilities it's getting too simplistic. How do the wolves communicate? telepathy. How do the vampires know how to prepare? Prophecy. How does Edward know Bella is in danger? telepathy. It serves to destroy any tension that could be brought to the story, at this point if anyone dies I'll just expect someone else to have a power to resurrect them. It's sad but the abusive relationship seemed to be the only thing that was actually tension worthy in the story, and you have no idea how hard it was to write that sentence out.

Wherein I lose All Respect for Jacob (Pg. 278-300)

Last week we ended on a relative high note as Jacob told off Bella, finally taking her advice to cease the torch carrying and move on with his life. I even praised him for it hoping that we finally had a real character doing something actual. I suppose one of the reasons that I like it so much is that it finally gives us what we've been told all along. Bella has repeatedly reminded us that she's not worth the affections of Edward, or anyone for that matter, yet every guy that comes along attaches himself to her so virulently that it doesn't match the words. We can forgive Jacob for him being so young which meant that last week's entry was well done because it not only finally matched Bella's opinion of herself but it also showed something that we haven't seen in this book yet, growth.

Unfortunately for every rise their must be a fall...

In her room Bella hears a scraping noise and immediately thinks of Victoria, curious that she doesn't think of Laurent given that she's actually seen him, but springing to life from bed she goes toward the noise. Suddenly she realizes that it's Jacob, which removes any sense of tension, plot, or growth that we read at the end of last chapter. How quickly everything disperses, negated to the democritean void. Before he is even in the room we know that he is here to apologize, and its utter bullshit. She might be mad but she is completely at fault. She was using him as a pseudo-rebound only to cast him away if even the most gossamer glimpse of Edward were to reappear.

Once in the room he actually does apologize. He's sorry he hurt her, but he had to because, "Sometimes loyalty gets in the way of what you want to do."

Bella's mistake was in looking for Jacob and finding him in front of his gang. Jacob's a straight gangsta now, and since the bitch be trippin,' makin him look like a buster in front of his homies he had to front. I tell ya, faithful readers, a gansta's life ain't fun.

Seriously that's his reason, although he says it a tad differently (but infinitely less amusing then the way I put it). Jacob has a secret, a new secret, but he can't tell anyone so this entire scene in Bella's bedroom makes no sense. He asks her to remember the stories he told her on the beach "the first day we met."

It actually wasn't the first time they met, they have both acknowledged that, but it's the first time we met them so I guess that counts? Great, now we have something new in this book: narrator/author confusion wherein Meyer as the author sometimes forgets that she's not the narrator. Ugh. Jacob gets frustrated because Bella can't remember the stories about the Quileutes, and frankly so am I. We know what Jacob's getting at, he's a damn werewolf, but Bella can't remember and Jacob won't tell her. Jacob's got that omerta code after all, but apparently dropping hints is somehow different that he won't fall under the "snitches get stitches" rule of gang life. I'm more impatient with Meyer on this one it's almost like she has to meet a page requirement or the editor will fail her. I'm kidding of course, because there is no way that an editor looked at this.

After deciding that Bella is too tired to listen to him, he exits the window. Bella is reminded of how nice it was when Edward creeped in to watch her sleep at night (seriously) but then Jacob is gone. Bella goes to sleep having her usual shitty dreams that are way too prescient to be real. Of course she wakes up screaming, and awaits her father to come in the room. He doesn't, he's probably fell asleep with his gun in his mouth again. More accurately he's probably getting sick of this happening every morning and has decided to ignore it. Finally Bella remembers the stories.

What follows is literally a page long flash back to the conversation from the last book. It doesn't need the entire context only the important bits about the wolves that turn into men.

"Werewolf,' I gasped."

Yeah, no shit. I'll give some credit where it's due because Bella really does question her world view. "What kind of a place was this? Could a world really exist where ancient legends went wandering around the borders of tiny insignificant towns, facing down mythical monsters? Did this mean every impossible fairy tale was grounded somewhere in absolute truth? Was there anything sane or normal at all, or was everything just magic and ghost stories?"

Well Bella, about those impossible fairy tales--you've already established you're an Intelligent Designer.* In all serious though, this is pretty good. It's curious that she doesn't go through this when she finds out about psychic vampires, or precognitive vampires. That's apparently normal, but werewolves? That's incredible.

WIth the knew knowledge of what Jacob is--eh, let's hold up here for a second. She doesn't actually know anything. Here belief that Edward was a vampire wasn't fixed in reality either. She just made up a bunch of assumptions and then concluded from that. Here she's doing even less than that, just going with a dream and then a story. That's not knowledge, although I guess it's a hypothesis since it can be tested.

She rushes out the door to see Jacob. Charlie stops her and in a situation totally ripped off of Jaws he warns Bella that a reward has been posted for the wolves' carcasses and that there's a lot of people with guns in the woods. Charlie leaves and Bella is conflicted. She wants to warn her father but she can't because...she never says. She does however know that Jacob is a werewolf, "I could feel it."

Feelings aren't evidence. Sorry folks but they simply aren't. Pseudo science feeds off of this notion that we are all experts because we think we are. As if reality changes because we think that crystals can heal cancer or whatever, but it doesn't. Just because Bella feels they are werewolves doesn't mean they are werewolves. That she happens to be right is immaterial to the message I'm trying to get across. She's worried because people will be shooting at her friend (legitimate concern). Then she goes off on this diatribe about how the werewolves had chosen a path of murder as opposed to the ones that didn't, i.e. the vampires. Yet, that doesn't match up with actual reality. In actual reality the werewolves didn't kill her, they chased off the one that was going to kill her. How much sense is this making?

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*Look, if she's going to soft ball me these insults I'm going to take them. At this point, it's really her fault.

Breaking Up (The New Moon Walkthrough Pg. 258-275)

This book is a good example of when a writer needs an editor. Like a paragraph a chapter should end when a completely new idea is about to begin. Page 258 represents the beginning of a new part of the plot that should not be lumped in with the previous dozen of pages. If we remember from last week, we dealt with the aftermath of Bella and the wolves. Now it's all about Jacob and maybe I'll understand what all that Team Jacob and Team Edward crap from a couple of years ago was all about. Our only problem is that Bella still hasn't heard from him.

 

She calls Jacob's house the next day, completely shrugging off any fear of the wolves, Laurent, or Victoria...like it never happened. If it were me, I would probably still have the shakes about the wolves, or at least the vampire who has promised me that i was going to die (depending on which one I thought won the battle the other day). Never mind that though, Bella has man trouble and from what we understand after the last book that is the only trouble worth discussing. She dials up the Blacks, "Jake's not here."

 

What's interesting is that she never once figures that she's being blown off. It's interesting because that's basically what she told us we ought to expect in the very beginning of the first book. It's also exactly what she told Jacob to do, the only thing is that Jacob didn't tell her he was cutting himself off from her. He's only 16 and fairly inexperienced so it's entirely within character that it ought to happen that way. The point is that Bella is confused that Jacob is doing the very thing she told him to do the last time she saw him. I'm going to say it again, the very last time she even talked to Jacob she told him that he ought to not waste his time on her. Perhaps he listened?

 

Instead of making this kind of rationalization and going to her job (remember her job?) she decides to go to the reservation to confront Jacob. Instead of Jacob she sees Quil,* "I was sure it was Quil, though he looked bigger than the last time I'd seen him...were they feeding them experimental growth hormone?"

 

Or you know, since it's been over a month since you've seen Quil it could just be puberty. We've never really gotten an age for Quil but it's not entirely unreasonable he would be different. What's also odd is that Bella has never paid attention to the details of a person's size or appearance unless they were Edward. Now all of the sudden she's a detective. Quil explains that Jacob has been hanging around with Sam lately meaning that Jacob's joined the La Push gang, although he refers to it as a cult. Which is something that we ought to note although we don't really know why we should note that. Just because Jacob was an outsider but now he's in doesn't prove anything.

 

Finally we get to Jacob seeing Bella in front of his house hanging out in her car. The first thing that Bella notices is that Jacob has cut his hair from the long pony tail to a short crew cut that is, "covering his head with an inky gloss like black satin."

 

I'm not sure what that means so we'll just skip over it.

 

There's a brief confrontation with Jacob and the gang which causes Bella to get angry as Jacob is no longer the sweet friendly guy that he once was. He's changed now, he's fierce and that makes Bella sad. She directs her rage against Sam thinking to herself, "I wanted to be a vampire.-The violent desire caught me off guard and knocked the wind out of me."

 

It caught her off guard? What part? The part where she wished to be the thing that she wished to become at the end of the last book and the beginning of this one? I swear the inconsistencies in this character are driving me to drink in the afternoon.

 

They were friends she pleads.

 

"We were," Jake replies apparently having taken the advice that she gave him earlier.

 

There's some more angry conversation where Bella touches Jacob causing him to shirk away. This gives Bella the impression that Sam is abusing the gang, it's unclear what she thinks is going on but she asks through her tears, "Is Sam catching?"

 

Now I've seen Oz enough to know that that means, but it can't mean what I think it does, right?

 

Jacob begins to walk away in which Bella tells him, "I'm sory that I couldn't...before...I wish I could change how I feel about you Jacob."

 

That kind of regret is nice but it's bullshit. She doesn't like him, she's been stringing him along. It's time for her to move on from the non-boyfriend that she was just hanging around with for the time until Edward returned. The problem for me is that I'm supposed to feel bad for her but I just can't. She's been using him and now that he's moved on I'm supposed to feel bad about it. Nah, that's now it works. She actually deserves this.

 

Bella goes home telling her dad what happened. Her father, because he's a decent human being who has a Harpy for a daughter, decides to call his friend and find out what was going on. Bella eavesdrops on the conversation making the conclusion that Billy blames Bella for what happened that, "I was leading Jacob on and he'd finally had enough."

 

Bella somehow views this with skepticism. Thus far that seems just about right, good for him.

 

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*I actually get his name now, it's not that stupid IF it's merely a shortened form of his tribe Quelieutes.

Moving Along the Plot (The New Moon Walkthrough Pg. 246-257)

Another pet peeve of mine with fiction, and especially this fiction, is when a character does something entirely out of the ordinary or against character just to make sure that we the reader understand that the plot is moving forward. It's like breaking the fourth wall, only less on purpose. Think C3P0 in Star Wars, unless he is answering a request by another character his main role in the movie series is to remind us the movie viewer that the story is going forward or that there is some sort of obvious danger that we ought to be aware of. More often than not, he's utterly useless. Another good example is the ship's counselor in Star Trek: The Next Generation, Troi is mostly there to tell us what emotions we should be feeling but again, she's kind of useless. In this story it happens arbitrarily to so many different characters that it's impossible to really narrow down who we ought to be ignoring, so in the end we have to endure the eye-rollingly bad situations when it happens. It's odd because instead of just moving the story along, Meyer has to tell us that it's time to move the story along.

Bella has run out of the woods as five extremely large wolves have chased off Laurent. As she gets home she engages in some non-sensical banter with her father as he, I assume watches the game. Once he gets a good look at her he gets concerned, realistically concerned I might add. Then especially concerned when she explains that she was in the woods and she saw "the bear" that people have been reporting, only it wasn't a bear but five huge wolves. First off Meyer has this problem and it's a problem that I am all too familiar with: laziness. Here's what I mean, "The rangers said that the tracks were wrong for a bear--but wolves just don't get that big."

The laziness comes from Meyer's reluctance to do any superficial research whatsoever. This blog has kept a running tally of all the times she has neglected to do the research. Twenty years ago this would be kind of forgiveable, but unless I find out that she writes on anything but a computer it's just not. There is no way a forest ranger would let the chief of police assume it's a bear when the tracks are clearly wolf. Size doesn't matter if the track is a wolf track. As Hercule Poirot would say, if the facts don't fit the theory ditch the theory. Google it up, bear and wolf tracks aren't similar. The number of toes is your first clue.If it's a large wolf then it's a large wolf.

Bella actually does well here, because she lies about where she saw the wolves. It's a shitty lie because the Rangers will investigate and either won't find the tracks or will find the tracks in a different place but she does it for the right reasons. She's worried because she still thinks Laurent is out there and doesn't want to risk anyone's life. Once in awhile she seems to stumble upon a good deed. It's a nice scene because rarely do we get to see Charlie caring about his daughter without her snide remarks or false persecution.

Then the scene is ruined, "Didn't you say that Jacob was gone of the day?"

Huh?

Your daughter was just witness to five wolves that were so large that people have been thinking they were bears, she ran out of the woods scared to death, and this is the follow up question? But hold on it gets worse, "I could tell he was worried--watching me jump at any loud sound, or my face suddenly go white for no reason that he could see. From the questions he asked now and then, he seemed to blame the change on Jacob's continued absence."

How about this detective? Your daughter just had a near death experience. Now, it's not the near death experience that you think she had, but still...This is what I was talking about in the opening. After a genuinely tense scene with the wolves (ruined by the telepathic/memory voice of Edward) we are reminded that this is a story about Jacob and Bella. Bella, of course, being the female girls should aspire to simply because she feels that she is worthless without a man. There's alot of bullshit in this section about Laurent and Victoria. The troubling thing is that there is a really good subtext going on here that gets put on the backburner because we need to be reminded that there are vampires in the area and that Jacob hasn't been around.

Bella calls her dad because Jacob hasn't been around and she's worried about the La Push gang. Charlie doesn't care because Billy has vouched for Sam and Sam is generally a nice guy. Charlie though can't talk because he has police matters to deal with as two tourists have gone missing in the woods. Bella remarks, "What I'd seen in the meadow just got stranger and stranger--more impossible to understand."

She's referring to why Laurent ran from the wolves rather than kill them. We know that the vampires in this world hunt wolves, that's Edward's favorite I think (I'm not looking back to figure that out). Despite their size it shouldn't have been difficult for Laurnet to kill them. That's what's been occupying Bella's worries about Jacob and her father for the last ten pages. She figured that Laurent had fell back but nevertheless killed the wolves. Now that two people have just gone missing due to the wolves, she's puzzled. Frankly, I'm rather impressed that it even comes up at all.It would actually be a decent mystery if I didn't already know how it was going to be explained. I suppose all that's left now is for her to figure it out.

Present ( it's a tangent complaint)

We're back after a week off due to a sudden illness of sorts. We're not exactly moving forward in the plot because there is a device that our author is using that bothered me at first and in the latest encounter with the wolves really drives me nuts. It's the disembodied voice of Edward that Bella is hearing in her mind which is warning her to stay out of danger and giving her advice when she's actually in danger.

We can turn to that perennial source of wisdom for people of my generation and younger, "The Simpsons." In the eighth season there was an episode titled "El Viaje Misterioso de Nuestro Jomer" or "The Mysterious Voyage of Homer," in which after eating some Gautemalan Insanity Peppers Homer hallucinates and is directed by a talking coyote voiced by Johnny Cash to find his soul mate. After waking up Homer hears the voice again and he tries to ask it a question. The voice replies, "I'm just your memory I can't give you any new information."

The parallel here is that the voice that Bella hears in her head of Edward can only be her memory. With that being stated, it is utterly impossible that this phenomenon can be giving her new advice. To be generous to the author, which is getting increasingly difficult lately, we can forgive his advice regarding two events of importance to the "plot." I'm hesitant to even make that claim because as we learned from the previous book the plot will take four hundred pages before we become aware of it and then it will dispense with itself in fifty.

These two instances are the motorcycle and the encounter with Laurent. If we accept that the voice she hears is merely her subconscious mind, or something similar, then it's easy to explain these two scenarios. She's putting herself in obvious danger and her brain is trying to tell her that she ought not to do that by summoning the only voice that she actually listens to. Which is pretty messed up, but at least consistent because she never hears the voice when she has been around Edward who is a much greater source of danger given everything we know of him...and that doesn't count the fact that he's some sort of vampire. In each case it's also new danger that she hears the voice, something she's never encountered while alone. This theory makes sense when we also note that in the other time that she rode the motorcycle it didn't appear. No voice because part of her is recognizing that the danger is no longer being perceived. It also explains why she heard it with Laurent, as she was around Laurent when he first appeared and when Laurent was feral. When Laurent reappears he presents the same danger as before.

What can't be explained is how the voice told her what to do around the large wolves. Danger, yes, that is perhaps why it appeared. What it said though cannot be explained without going outside of the story or violating yet another rule that the series has thus far established. Bella couldn't know how to act around the wolves (or, who are we kidding werewolves), so her subconscious couldn't know either. The only other explanation is that the voice is Edward's telepathically.

This explanation, if true, will make me give up reading these books. It's been established that Bella's brain doesn't work on the same frequency as other brains so Edward's special power of reading minds doesn't work. Maybe generous readers, fangirls, will give an explanation that communication and reading are two different things: if that's the case then how does he know she's in danger? Is he standing right there? Again, if that's the case the werewolves would have scented him or more importantly, what was he waiting for Laurent to strangle her?

My ability to suspend disbelief is being quite strained in this book already and this will be the last straw if it turns out to be actually Edward. So far we've had a number of established and then broken rules in this book. The vampires shine in sunlight but have no problem walking through crowded airports in the middle of the day in Arizona, vampirism gives special powers but Alice was psychic prior to being a vampire, saliva turns people into vampires but Bella and Edward have no trouble kissing, etc. It's not making sense and is really relegating certain elements of the story to being utterly arbitrary.

Which really leads us to threading the eye between Scylla and Charybdis. On the one hand we have a memory that can give new advice while on the other we have telepathic communication which violates a pretty important rule of the books so far: Bella's oh so specialness. Either case it's not looking good for the future.

Back to the plot next week.